Our winters are mild, so snow days are a novelty. This week I took advantage of a sunny morning and a lovely, snowy backdrop to take a few quilt photos.
Zig Zag Chevron (HSTs from charm squares, hand quilted)
One of my goals for 2017 is to improve my photography skills. Of course, this means learning how to use editing software. I’m trying to check out some of those helpful tutorials in the process.
My first finish of 2017: baby quilt made from charm squares + a wonky star
The photo pictured above was edited for Instagram using a mobile app.
Hourglass Bedazzled, improv piecing, hand dyed fabrics, machine quilted
This quilt was the last one I completed in 2016. It is my most complex quilt to date that uses improvisational piecing, and I hand dyed all of the fabrics. I don’t think I ever properly documented it, but a few photos appeared on Instagram during the months that it was in process.
On another note, QuiltCon is right around the corner! Our newspaper, the Sequim Gazette, was kind enough to write an article about the local quilters who will have quilts in Savannah. They even sent a photographer out to capture me in my own environment. Those of you who are curious and have bugged encouraged me to include photos of myself on this site, can check it out.
It is snowing again today, so I’m off to curl up with a cup of tea and some hand quilting. I’m on the home stretch quilting the mini for my partner in the MQG swap.
A confession…I love leftovers, both food and fabric! They give me an opportunity to be creative, I feel virtuous for not being wasteful and sometimes they even save me a little time.
Here are a few recent finishes that began as orphan blocks, trimmings or bits and pieces floating around the scrap bin and design wall.
Some leftover strips became a table runner.
Essex yarn dyed linen + commercial solids for the stripes
A few orphan blocks became a pillow and a table mat.
And sometimes everything “clicks” and a few units that have been marinating for a long while are the impetus for something that keeps me exploring, and revising, and reworking until it makes me very happy!
“jubilant”, hand dyed cottons, Essex yarn dyed linen, matchstick quilting
So, the moral of the story is… save all those leftover bits because you never know when they will be just what you need to get your next project started!
(The table runner and place mats in the featured image began as some odds and ends from the recent Riley Blake challenge.)
Welcome to the second day of the 2016 Cloud9 New Block Blog Hop!
It is so exciting to be part of the block hop, sponsored by Cloud9, and hosted by Yvonne of Quilting Jetgirl, Cheryl of Meadow Mist Designs and Stephanie of Late Night Quilter! There are almost 70 bloggers designing blocks using the fat quarter bundle of lovely organic Cirrus Solids generously provided by Cloud9 fabrics. The hosts chose this palette for the hop, called “Berry Harvest”. I decided to use four of the colors, leaving “Lilac” out this time around.
My block, Woven Berry Basket, is an improvisational block based on the traditional basket weave design. It uses a free form cutting technique (a.k.a cutting without a ruler).
The goal of this tutorial is to introduce you to this technique. There are two main principles that I use in improv piecing:
if it is too short, add on
if it is too long, cut it off
Your block will not be exactly like mine, but I will describe a process that you can use to make one that is similar in design.
Tips for improv piecing:
A rotary cutter with a 60mm blade is my preference for free form cutting
Set the stitch length on your machine a little shorter than usual
Cut 4 strips 5 in x 18 in (approx) Here’s your first chance to cut without the ruler!
free hand cut the equivalent of 4 strips approx 5 x 18 (notice the cut is straight-ish)
2. Free hand cross cut strips that vary from about 1 in – 2 .25 in width from each strip
I like to cut each strip individually, some are slightly angled, but most are straightish
3. Stitch 9 pairs of strips together, varying the colors and widths.
chain piece 9 sets of strips, no need for pins, just go slowly and align the edges as you go
4. Press seams to the darker fabric
variety of widths and color combinations
5. Add a third strip to each set, again varying the color placement and width of strips.
6. Lay out the 9 units in an alternating vertical, horizontal pattern.
To end up with a 12.5 unfinished block, we will aim to have each unit be at least 4.5 in on each side before assembling. (I trimmed the ends to even up the units.)
*At this point, you will need to start making decisions based on how your units are sized. I will attempt to describe how I solved the puzzle.
For the first row, I decided to cut the bottom off the middle unit, and add a strip to the third unit.
If it’s too long, cut it off and if it’s too short, add on!
I followed the same procedure for the second row:
a strip added to the middle unit
But when the units were assembled, the second row was shorter than the first, and I was aiming to have each row approx 13 in wide so that I would be able to trim it down to 12.5 in. What to do? Add on!
I used the cutting mat measurements to see if the overall width was about 13 inches
To assemble the rows, I trimmed the top edge of the second row, then overlapped it onto the bottom of the first row (right sides facing up). Using that cut edge as my guide, I trimmed the bottom of the top row to match.
*use the ruler to stabilize the edge, but do not use it as a cutting edge
Follow the above procedures to assemble the third row and attach.
Can you see how I am cutting along the edge of the row, not along the ruler edge?
If your block is big enough, just trim to 12.5 in square and your block is complete. If it is too small, improvise! You might add some strips to form a frame, and then trim.
Success! Trim to 12.5 inches and you’re finished.
Here is my finished block:The thing I like best about improvisational work is that you are engaged making design decisions throughout the process. *Warning: this may be addictive! As I work, I find myself asking lots of “What if?” questions:
What if I cut the strips wider (or thinner)?
What if I used 5 colors?
What if I only used 2 colors?
What if it was scrappy?
What if the units were smaller and I made a 4 x 4 grid?
I hope you will give this a try, and that you will enjoy the process as much as I do. If you make a block, I’d love to see it! For those on Instagram, tag your photo @pennylanequilts and use the hashtag #wovenberrybasket.
Thanks for stopping by! I’d love to hear your thoughts and answer any questions you may have.
And don’t forget to enter the Giveaways! Visit each of our wonderful hosts for the chance to win 3 separate fat quarter bundles of beautiful Cloud9 Cirrus Solids.
Be sure to check out the rest of the stops on the hop. You’ll be glad you did!
Pillows are one of my favorite projects to make. Each one is its own little composition, and it’s a great way to create something decorative and functional for your home. I think they make great gifts, too.
improv piecing and hand dyed fabrics
If you want to try a new piecing technique, a bit of free motion quilting or even some hand quilting, a pillow is a much smaller commitment than a quilt. Last month I experimented with some worn out jeans and some thrifted shirts.
upcycled denim pillowspillows from upcycled shirts
Orphan blocks can find a new home in a pillow. A bit of special, long hoarded fabric can be featured in a place of honor. Experiment with a new color scheme and see where it takes you.
improv piecing with hand dyed fabricsimprov piecing with hand dyed fabrics
A customer recently inquired about purchasing the small “Made in America” quilt that I created for American Made Brand’s “Tiny Quilt Challenge”. This little quilt has been touring and will be busy until sometime in 2017. You can view a virtual tour of this exhibit here.
So, I offered to make another, similar quilt for her. This time I took a few photos of the process to show you how I created “Made in America.2″
I began with a wonky star block, using 2.5” charm squares. Various blues and whites give a little variety to the colors.
Next, I began creating the stripes using several reds and whites for variety. Basically, I just cut a line with my rotary cutter. I laid this on another strip (right sides up) and used the first cutting line as my guide to cut the next piece.
I continued this process creating the short stripes section and the long stripes section. Then I just cut the three sections in a way that would allow them to fit together.
The last thing I did was to add a border of white around the flag, leaving extra room for trimming after quilting.
The white stripes were quilted with dense machine quilting, allowing the red stripes to stand out.
The white star was hand quilted using a variegated white perle cotton #12.
I used a single, straight fold binding to reduce the thickness since this quilt will be framed.
As I put the final stitches in this little flag, my thoughts turned to Memorial Day, a day of honor and remembrance.
So, I offered to make another, similar quilt for her. This time I took a few photos of the process to show you how I created “Made in America.2″
The last thing I did was to add a border of white around the flag, leaving extra room for trimming after quilting.
