Category Archives: Traditional quilting

Temperature Quilt 2021

After seeing all of the temperature quilts appearing on Instagram, I couldn’t resist joining in on the fun. I love these daily projects that slowly accumulate over the course of a year. Both of my squircle quilts were made in this fashion.

Our weather is rather mild here in Sequim, so when I made my key, I chose to do 3 degree intervals except for our most frequent range where I used 2 degree intervals. Despite living in Western Washington, our weather is drier due to the rain shadow effect from the Olympic Mountains. A neighborhood weather station on Weather Underground gave me a very local source of data. Each morning, my husband recorded the data for me, making it a collaborative effort.

I used my quarter circle templates from Jen Carlton Bailly for the daily units. The convex shape represents the highs, the concave the lows and the smaller curve shows the amount of precipitation. I traced all of the shapes, cut them out with scissors and pieced them by hand. To provide movement to the design, the blocks are rotated based on their relationship to the previous day’s high temperature.

A calendar layout makes it easy to find specific dates. The blocks were assembled by machine each month allowing me to take them down and free up space on the design wall. On January 1st, I had all the blocks assembled.

And then it stalled. I couldn’t decided where to put the key, how to do the borders, etc. Finally this weekend I dedicated some time to do the work I’d been avoiding and I now have a finished top!

Postscript: I had a lot of scraps from the concave pieces that were just the right size to do a smaller version for 2022. I’m using the same rules as last year without the precipitation component. These units finish at one inch and are pretty cute if I do say so myself. Here’s a photo for size comparison.

Crevices

The quilt I’m sharing today is very different from Tiny Bubbles, in style, technique and process. I’m thrilled to announce that it is also headed to QuiltCon in Phoenix next month.

Crevices (40″ x 45.5″) machine pieced, hand quilted

Crevices began in a virtual workshop with Maria Shell @talesofastitcher which focused on freehand curve and circle techniques. The class was a sampler, but I was particularly intrigued by a technique Maria calls “braided curves”. I pieced a lot of these rectangular units using a controlled palette and began the task of creating a composition.

After about a month of manipulations on the design wall, I decided to edit out many of the units. As I worked, an image of light streaming into a canyon emerged in my mind.

Representational art is not my style and I struggled with how to create the abstract feeling of sunlight on geological structures without it becoming too literal. The palette also felt constrained, so I began adding in new shades as I pieced in additional curvy lines. This exercised my brain in such a good way!

Thread basting is my preference when hand quilting because I don’t like to snag my thread on pins.

The large, curved spaces invited me to add texture by hand quilting. It was so relaxing to stitch these wavy lines using a variety of perle cotton threads.

Originally, I had planned a faced edge, but in the end I decided to go with a pastel binding. I like the way it frames the piece, bringing the lighter shades from the center of the quilt out to the edges. (In real life, the binding is much straighter than the photo would suggest, I promise!)

And what did I do with all the pieces that were edited out of this composition? I created another quilt.

Placing the strips in a horizontal orientation, images of mountains, streams and valleys emerged. For this piece, I challenged myself to work quickly and intuitively, restricting myself to using the leftovers from Crevices. Meander is the result.

Meander (38″ x 36.5″) machine pieced, machine and hand quilted

Improving my free motion quilting skills is an ongoing goal of mine. I explored some organic filler designs and used many motifs from Christina Cameli‘s book, Step-by-Step Texture Quilting. Lots of thread changes and adjusting the motifs to fit the shapes took all of my concentration. About half way through, it was beginning to feel flat and stiff from all the dense quilting. Adding in sections of hand stitches softened the texture.

And what did I do with the leftovers? I still had lots of odd bits that I was determined not to add to the scrap bins, so potholders to the rescue! I donated these to the Friends of the International Quilt Museum to sell in the gift shop as a fundraiser.

Whenever I take a technique workshop, I feel that it shakes things up in my studio. Since I rarely use strip piecing techniques, creating these large units initially felt very quick and satisfying. However, I found it challenging to shape them into compositions. Every quilt teaches me something new!

Tiny Bubbles

It’s been just over a year since my last post and there are a few projects I would like to document here. First up is Tiny Bubbles which began in August 2020 with a sew along hosted by Leslie Tucker Jenison and Michele Muska. We used Jen Carlton Bailly‘s smallest template to create tiny quarter circle units which Jen calls “curvelets”. Each unit finishes at one inch.

With no plan in mind, I liked the idea of hand piecing little blocks from my overflowing scrap bin. (Note to self: if you want to use up scraps, making little units is not a terribly efficient way to do so!) It was the first summer of the pandemic and I enjoyed tuning into the weekly Instagram Live chats with Leslie and Michelle. My process was to make a few units each day, watching them accumulate on the design wall.

At the end of the sew along, I began piecing the curvelets into 4 1/2 inch blocks, forming four circles made up of 16 units. I decided to assemble by machine because I’m not THAT crazy and I still wanted to see how large I could make the final piece before losing interest.

As you can see from this photo, there is some serious shrinkage going on here. The assembly required lots of pinning and careful piecing. Each day I continued to add more curvelets to the collection.

Life continued on in this way until June, 2021, when Jenn McMillan hosted the #100daysummersewalong to encourage any handwork project. I decided to participate and add one 4 1/2″ block a day consisting of four 2 1/2″ quarter circle units. During this time, I continued to assemble the smaller units into blocks.

One morning I came into the studio and the wind had blown over my portable design wall. My friend, Sarah Hibbert @quiltscornerstone thought it looked like they were trying to say something. I decided to put them back on the board and spelled out this “HELP” message. (It’s been a long two years of trying to entertain myself, what can I say?!)

At the end of the summer I decided it was time to reassess and come up with a plan. Looking back at my photos, it looks like I rearranged and added more blocks for about a month before I actually completed the top. Those poor little blocks were about worn out from all the action!

Basting time! I used a gray peppered cotton for the backing which is nice for allowing the quilting to show.

A straight line grid was quilted using the walking foot on my domestic machine. Then I hand quilted around the larger units using perle cotton thread.

Tiny Bubbles was accepted into QuiltCon 2022 in Phoenix and I am happy that people will be able to see it in person to appreciate the scale of the small units. This is the description that I sent with my entry:

 Quilted during the pandemic, these tiny bubbles kept me occupied while isolated in my own small bubble. All of the quarter circles were traced from templates, cut with scissors and pieced by hand. The curved units were then assembled by machine.

Quilt details for those enquiring minds:

44″ x 44″

completed October 2021

curved units hand pieced

assembled on machine

292 (2 inch finished units)

368 (1 inch finished units)

1320 pieces of fabric

Rear View

It’s been exactly a year since my last blog post on January 4, 2020. As much as I would like to fast forward to the present, I decided to document some of my projects from the past year. In future posts, I’ll give more details on some of the quilts which are still in progress.

In January, I began a 100 day project, creating one letter per day.

Over the course of the year, I participated in three swaps and created mini quilts using these little freeform “junction” blocks.

It was an honor to receive the “Quilting Excellence” award at QuiltCon 2020 in Austin. (To read more about “For the Love of Squircles” see my last post.)

“A Squircle a Day” went on a road trip to the southwest in late February, and was my hand quilting companion until its completion in August.

Many masks were donated to our community and given to keep friends and family safe.

A couple of patchwork baby quilts gave me the opportunity to practice some free motion quilting.

I participated in the “littledrunkmonday” sew along hosted by Leslie Jenison @leslietuckerjenison and Michele Muska @michelemuska making little “curvelets” using Jen Carlton-Bailly‘s @bettycrockerass templates. This is all hand pieced and is a long term project. The final size and shape is yet to be determined.

Since early March, we have spent all of our time on the farm with occasional trips to town for groceries and supplies. We are so grateful to have such a beautiful space to call home.

Also among my blessings are the people who encouraged, motivated, inspired and comforted me through the events of the past year. I am eternally grateful for your support and friendship.

Celebrating friendship with Sophie Zaugg @lunalovequilts and her “Love” quilt at QuiltCon 2020.

Wishing you all peace, health and happiness in the year ahead.

For the Love of Squircles

First of all, I’d like to welcome the new readers to the blog since my last post. This quilt was largely responsible for my long absence! I am just adding a label and preparing to ship to Austin, so it is time to tell its story.

The quilt began as a daily project in January of 2018. After piecing my first squircle quilt using print fabric in 2017, I decided to repeat the process with solid fabrics. This time I pieced the background of each block before using needle turn applique to attach the squircle shapes. All of the fabrics came from my scrap bin, and were pieced and stitched randomly, with no particular design in mind.

At the end of the year, I had my 365 blocks plus the 13 extra to again bring my array to 18 x 21. Unlike the previous quilt that was assembled as I went along, this time I had 378 blocks to arrange on the design wall. Looking back through my photos, it looks like I arranged and rearranged them for over a month!

arranging the squircle blocks

I began piecing the blocks just before heading to Nashville for QuiltCon and finished piecing mid-April.

piecing the squircle quilt

By the middle of May, it was basted with a fluffy Hobbs Tuscany wool batting and an extra wide peppered cotton backing. I loved the way it felt once it was basted and couldn’t wait to start hand quilting!

preparing to baste For the Love of Squircles

Fortunately, I  had stocked up on WonderFil Eleganza perle cotton #8 while I was at QuiltCon.

My goal was to have it completed by the December 2 deadline for  submissions to QuiltCon 2020 in Austin. Here is my hoop on the first day of quilting.

squircles quilt hand quilting, Marla Varner, penny lane quilts

After quilting for a few days, I estimated that I would need to quilt an average of three hours a day to make that deadline. That seemed doable! I worked on it steadily throughout the summer and tried to make up for lost time when I was away from home on other adventures.

By September, it became obvious that I had miscalculated, and I began quilting all day every day. This is not something I would recommend, as it takes a toll on the body.  I tried to  consistently  take breaks, do hand and shoulder exercises, change chairs and positions which all helped to keep me stitching. I also listened to a LOT of audiobooks. There were many days when I abdicated all but the most pressing of daily responsiblities. And here is my hoop on the final day of quilting.

last day of quilting For the Love of Squircles by Marla Varner penny lane quilts

Late November found me trimming and attaching the binding. Trying to get good photos on gray, rainy days was a stressful part of the submission process. A goal for this year is to improve my photography set up.

My diligence paid off and the quilt submission was in before Thanksgiving…a new record for me! Many thanks to Audrey Esarey @cottonandbourbon for suggesting the name of the quilt to me. (She is a rising star in the modern quilt community…I highly recommend you check out her amazing work.)

For the Love of Squircles by Marla Varner penny lane quilts

It was so exciting to get the news that it was accepted to QuiltCon and I am looking forward to traveling to Austin again. Maybe I’ll see you there!

Hand Quilting: Try it, you’ll like it!

What’s not to love about hand quilting?! It’s tactile, portable and you only need a few basic tools and supplies to get started.

squircles quilt hand quilting, Marla Varner, penny lane quilts

I began hand quilting in the mid-90s because I had a quilt to finish. My sewing machine wasn’t  adequate for piecing, let alone quilting, and I liked handwork. Besides, most of my mentors hand quilted. I loved the fact that I could visit while quilting at weekly gatherings with friends. And slowly, but surely, quilts would get finished.

The texture of hand quilting has always appealed to me. There is something about the process of manipulating that quilt sandwich as you pull your thread through it, that makes it so soft and drapey.

Kinetic, Marla Varner, penny lane quilts, hand quilting

Sometimes, just adding a bit of hand quilting seems to make the quilt more personal.

hand quilting detail, Marla Varner, penny lane quilts

A mini for a challenge is another good place to try some hand stitching without committing to a larger project.

Marla Varner, red, white and blue challenge, Bainbridge Island MQG

Two of my hand quilted favorites appear in Modern Quilts: Designs of the New Century which I wrote about here.

MQG book with quilts

The MQG has a travelling exhibition of quilts from the book. I am very excited that it is coming to the Whatcom Museum in Bellingham, Washington, June 1 – August 25, 2019. One of my quilts, Trestle Nestle, is included in the exhibit.

Trestle Nestle by Marla Varner, penny lane quilts
Trestle Nestle (56″ x 51″) hand quilted, white linen and Kona solids

The Whatcom Museum has many events planned to coincide with the exhibition this summer, so if you are in the area, check out all their offerings. If you are interested in seeing more of my quilts or learning about hand quilting, I will be involved in two of the events:

Modern with a Hint of Vintage (lecture) July 27, 2:00-3:00

Hand Quilting Intro and Inspiration (workshop) July 28, 10:00-2:00

If you’re already a convert, what do you like best about hand quilting? If not, I hope you will consider hand quilting as an option on your next project. Try it, you might like it!

 

Kinetic

Back in April, 2017, I learned that my friend Daniela, BlockM Quilts,  would be visiting Seattle (from Germany) and planned to take a workshop with Katie Pedersen , SewKatieDid. I jumped at the opportunity to join Daniela at Katie’s studio for the Psychedelic Baby Quilt Block/Modern Improv Strip Piecing Workshop.

After viewing many of Katie’s wonderful quilts using this block, we each came up with a plan and began creating strip sets.

beginning strip set penny lane quilts

After the strips were pieced, we cut blocks from each set.

Daniela BlockM Quilts working on psychedelic baby quilt blocks
Daniela arranging a new strip set

psychedelic baby quilt blocks
When the blocks are cut, they create lots of “waste” triangles as seen in the center of the photo

Back home, I created a few more blocks and decided on a layout for my quilt.

psychedelic baby blocks for my quilt

After deciding to hand quilt, I gathered my perle cotton threads and began the lovely, SLOW process of adding texture to the quilt.

detail of hand quilting, marla varner, penny lane quilts

detail of hand quilting from the back side of Kinetic, Marla Varner, penny lane quilts
detail of the quilting from the back

I tend to hand quilt in spurts, here and there when I have time. It is the perfect portable project. This quilt has traveled on  long road trips and made an appearance at several  events. Every stitch helps move the project along.

hand quilting during port townsend studio tour Marla Varner, penny lane quilts
Stitching and enjoying the view at Egg & I Pottery during the Port Townsend studio tour.

When the quilting was eventually finished, I decided to use yarn dyed linen  for the binding. I tried something new (for me) and did some visible stitching to attach the binding on the back. It was fun to change thread colors as I went around the quilt using 8 wt perle cotton.

binding detail using perle cotton

All it needed was a name and a label and just like that (lol), a finished quilt almost two years in the making.

label for Kinetic, Marla Varner, pennylanequilts

Kinetic, by Marla Varner, Penny Lane Quilts
Kinetic (43.5″ x 58″)

Kinetic view of back Marla Varner, pennylanequilts

Love this view with the sun shining through the layers. I think it looks downright psychedelic!

sun shining through Kinetic, Marla Varner

Now that this one is finished, I am free to start playing with those leftover triangles…

leftover triangles from Kinetic

 

Interview with Pat Sloan, American Patchwork and Quilting Podcast

It was so much fun chatting with Pat Sloan on her podcast today! I appreciate her enthusiasm and love listening to her weekly interviews.

We briefly discussed a wide range of topics including my quilt making journey, the sewing machines I use, dyeing fabric, hand quilting and my business, Penny Lane Quilts .

Listen to the podcast now to learn a little more about what I do here on Penny Lane.  I hope you enjoy the show and I’d love to hear your thoughts.

Squircles

In 2017, I decided to try another daily project. (I once tried the 100 day project, but only made it to Day 10…!) Inspired by some wonderful circle quilts by Sophie @lunalovequilts, I thought I could commit to creating one squircle a day for 365 days. I’d always wanted to try needleturn applique, so this seemed like a simple shape to practice that skill.

It was through Sophie  that I also found the #quilty365 page on Instagram, and a little more research lead me to this post by Audrey of Quilty Folk.

I decided to make it scrappy, and since I have over 25 years of scraps, I tried not to duplicate any fabrics. It was very entertaining to pair up interesting and unlikely fabric combinations for each block. (The background squares were cut at 4 inches, and the squircles were made from a 2.5 inch square.)

small design wall filled with squircles, Marla Varner
squircle blocks filling my small design wall

Each month I sewed the blocks into nine patch blocks. I didn’t want to have all of them to assemble at the end of the year! When the small design wall was full, we made a larger design wall.  Now I was able to lay out the blocks the full width of the quilt and I began to assemble the nine patches into rows. (Even though I wasn’t doing much manipulating of the blocks for design purposes, I needed to have the blocks up so I could see which fabrics had been used.)

For the most part, I completed a squircle a day. There were a couple of times that I got behind, like when I left my hand sewing kit in a hotel in Nebraska on our road trip to Paducah! But whenever I got off track, I tried to catch up as soon as possible.

My goal was to have the top assembled by midnight on New Year’s Eve and I am proud of myself for finishing with a few hours to spare! To make my layout (18 blocks x 21 blocks) work, I needed to make 13 extra squircles. That makes a total of 378 squircles x 2 background fabrics = 756 different scraps used. (Ooops, subtract 2 because a couple of duplicates sneaked in when I wasn’t looking!)

squircle a day top, 2017 Marla Varner, pennylanequilts

2018 brings an opportunity to do something new with squircles, so stay tuned to see version 2.0, using solids and pieced background blocks. So far, so good at completing a squircle a day in this new year.

Coral Reef (Hand Quilted category) Blogger’s Quilt Festival

A friend encouraged me to participate in the Blogger’s Quilt Festival, hosted by Amy of Amy’s Creative Side. I’ve decided to enter one of my favorite quilts, Coral Reef, in the Hand Quilted category. This quilt was completed a couple of years ago, but it will always be a special finish for me. It was made before my blogging days, so this post is an opportunity to share its story.

Coral Reef by Marla Varner

It began as a pile of half square triangle units created while at a retreat with some local quilty friends. (The nearby Seattle MQG members had recently hosted a bicolor challenge which is what got me thinking about trying a two color quilt.)  After much arranging and rearranging on my design floor, I decided on the final layout.

When it was basted, I started machine quilting it, but after a few lines of quilting, I changed my mind and decided it would be more fun to hand quilt. So I dug out all my aqua and orange threads, put it in my hoop and started stitching. It was the perfect canvas for dense hand quilting with a variety of thread types and weights. (It was also a great excuse to buy some new threads!)  I took an improvisational approach and made up the designs as I went without marking. It was so.much.fun!

Coral Reef, detail, by Marla Varner
The texture created by the quilting is my favorite feature of the quilt.

Planning to attend QuiltCon for the first time in 2015, I decided to enter the show, so I worked feverishly to finish it up before the deadline.

It was accepted and I was very excited to have it in the exhibition! What a thrill it was to learn that it had been chosen to receive the Coat’s Award of Quilting Excellence and to see it hanging there at the show. (My husband was even impressed to learn that it was possible to make money with a quilt.)

Coral Reef, Marla Varner, QuiltCon 2015

That prize money was used to start a small home business, penny lane quilts. To see my current projects and upcoming events, you can also find me hanging out on IG at pennylanequilts and on Facebook at penny lane quilts.

penny lane banner

Coral Reef was exhibited in our local North Olympic Fiber Arts Festival last fall, and is currently traveling to some AQS Quiltweek shows in Grand Rapids, Chattanooga and in the upcoming Des Moines, Iowa event. I’m looking forward to having it back home soon!

The backing fabric is a beautiful floral from Amy Butler's Lark collection.
The backing fabric is a beautiful floral from Amy Butler’s Lark collection.

This quilt remains one of my favorites, not because it won a ribbon, but because of all the hours that I spent lovingly stitching its layers together. I know many of you have seen this quilt before, but I hope you enjoyed learning a bit more about it. I currently am hand quilting away on another quilt, but Coral Reef taught me that I need to pace myself with hand work. Hopefully I will have the new one finished well before any deadlines…we’ll see!

quilt-bloggers-festival-fall-2016